Edwin Frank “Eddy” Duchin (April 1, 1909 – February 9, 1951) was a popular American pianist and bandleader of the 1930s and 1940s, famous for his engaging onstage personality, his elegant piano style and his fight against leukemia.

Duchin was born in Cambridge, Massachusetts to Bessarabian Jewish immigrants, Tillie (née Baron) (1885–March 21, 1962) and Frank Duchin (June 2, 1885–?). Eddy Duchin was originally a pharmacist before turning full-time to music and beginning his new career with Leo Reisman’s orchestra at the Central Park Casino in New York, an elegant nightclub where he became hugely popular in his own right and eventually became the Reisman orchestra’s leader by 1932. He became widely popular thanks to regular radio broadcasts that boosted his record sales, and he was one of the earliest pianists to lead a commercially successful large band.

Playing what later came to be called “sweet” music rather than jazz, Duchin’s success opened a new gate for similarly styled, piano-playing sweet bandleaders  to compete with the large jazz bands for radio time and record sales.

He developed a style rooted in classical music that some saw as the forerunner of Liberace’s ornate, gaudy approach. Still, there were understatements in Duchin’s music. By no means was Duchin a perfect pianist, but he was easy to listen to without being rote or entirely predictable. He was a pleasing stage presence whose favourite technique was to play his piano cross-handed, using only one finger on the lower hand, and he was respectful to his audiences and to his classical influences.

Duchin would often use beautiful, soft-voiced singers such as Durelle Alexander and Lew Sherwood to accommodate his sweet and romantic songs, giving them extra appeal and making them more interesting.

Duchin’s 1938 release of the Louis Armstrong song “Ol’ Man Mose” (Brunswick Records 8155) with vocal by Patricia Norman caused a minor scandal at the time with the lyric “bucket” being heard as “fuck it.” Some listeners conclude that there is no vulgarism uttered, while others are convinced that Norman does say “fuck” (which would explain one of the band members laughing delightedly after Norman seems to chirp, “Awww, fuck it… fuck-fuck-fuck it!”).

The “scandalous” lyrics caused the record to zoom to #2 on the Billboard charts, resulting in sales of 170,000 copies when sales of 20,000 were considered a blockbuster. The song was banned after its release in Great Britain. The notorious number can be heard on a British novelty CD, Beat the Band to the Bar.

Duchin entered the U.S. Navy during World War II, serving as a combat officer in a destroyer squadron in the Pacific. He attained the rank of lieutenant commander (O4). After his discharge from the military, Duchin was unable to reclaim his former stardom in spite of a stab at a new radio show in 1949.

On February 9, 1951, Eddy Duchin died at age 41 in New York City of acute myelogenous leukemia. He was cremated, and his ashes were scattered in the Atlantic Ocean.

By the mid-1950s, Columbia Pictures, having enjoyed success with musical biographies, mounted a feature film based on the bandleader’s life. The Eddy Duchin Story (1956) is a fictionalized tearjerker, with Tyrone Power in the title role. The film did well in theaters, and was well enough known to be referenced in one of Columbia’s Three Stooges shorts: the Stooges’ spaceship is about to crash when Joe Besser yelps, “I don’t want to die! I can’t die! I haven’t seen The Eddy Duchin Story yet!”

An anthology of some of Duchin’s best recordings, Dancing with Duchin, was released in 2002.

With thanks to: Wikipedia, The Free Encyclopedia = http://en.wikipedia.org